Artwork Description

n Tembuland, Lisette Forsyth captures a solitary figure striding purposefully across the surface of a nineteenth-century Government Gazette. Dressed in a long coat and warm hat, the figure moves confidently forward, seemingly unaffected by the weight of the historical document beneath his feet. There is a quiet determination in his posture, creating a work that speaks of journey, resilience and belonging.

The title references the historic region of Tembuland in South Africa's Eastern Cape, a landscape rich in history, memory and cultural significance. Rather than illustrating a specific narrative, Forsyth leaves room for interpretation. The figure could be returning home, setting out on a new path, or simply moving through the world with purpose. This openness allows viewers to bring their own experiences and associations to the work.

Painted on an original 1886 Government Gazette, the artwork creates an intriguing dialogue between personal and collective histories. The official notices and records that once documented land transactions and administrative affairs become the backdrop to a distinctly human story. As with many of Forsyth's works, the archival document is not merely a surface but an active participant in the narrative, connecting past and present through a single image.

Tembuland

Acrylic Painting by Lisette Forsyth
Materials used
acrylic & ink on historical sheet of Gazette
Size
W:35cm X H:47cm X D:3.5cm (framed dimensions)
Year
2026
Unique Original Work
R17 850 
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  • Artist Description
    • Artwork Description

      n Tembuland, Lisette Forsyth captures a solitary figure striding purposefully across the surface of a nineteenth-century Government Gazette. Dressed in a long coat and warm hat, the figure moves confidently forward, seemingly unaffected by the weight of the historical document beneath his feet. There is a quiet determination in his posture, creating a work that speaks of journey, resilience and belonging.

      The title references the historic region of Tembuland in South Africa's Eastern Cape, a landscape rich in history, memory and cultural significance. Rather than illustrating a specific narrative, Forsyth leaves room for interpretation. The figure could be returning home, setting out on a new path, or simply moving through the world with purpose. This openness allows viewers to bring their own experiences and associations to the work.

      Painted on an original 1886 Government Gazette, the artwork creates an intriguing dialogue between personal and collective histories. The official notices and records that once documented land transactions and administrative affairs become the backdrop to a distinctly human story. As with many of Forsyth's works, the archival document is not merely a surface but an active participant in the narrative, connecting past and present through a single image.

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