Artist Description

The Silence of Snow (2021-22)
I’d like to write about the old country. The place where love and laughter exist without any self consciousness; just happen to be, I suppose. A place almost naïve in its ordinary happinesses. Like ball games and bicycles, the treacherous nature of ice. A place perhaps even laughable to some. A place, in many ways, uneventful and dull yet fringed with mirth. Where a smile lurks, waiting in the shadows and laughter lines the avenues of mispronounced words and foreign languages. It is the kind of place that emerges in safety. The safety lodged in routine, in familiarity and the daily-ness of the day. Such places exist, seldom. Pass quickly. Are mourned and missed, and seldom return. Like innocence. Like first love. Like the first sighting of something never seen before: a murmuration; a glacier, an aurora borealis. And in the backyard, the night flowering cactus in bloom. Brief lives. Here in the old country, marked by dogs and long walks; frost on the breath; the incoming sea fret; blackberries ripe for the picking; and the generosity of an avocado tree. One season gives way to another. And another. Until we find ourselves elsewhere, remembering.

The Silence Of Snow

Mixed Media Monotype by Shui-lyn White
Materials used
hand-finished monotype, mixed media & collage on Hahnemühle 300gsm etching paper
Size
W:78cm X H:85cm X D:0.1cm (paper size unframed)
This is a unique work

Cape Town collection can be arranged
R17 250 
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  • Artist Description
    • Artist Description

      The Silence of Snow (2021-22)
      I’d like to write about the old country. The place where love and laughter exist without any self consciousness; just happen to be, I suppose. A place almost naïve in its ordinary happinesses. Like ball games and bicycles, the treacherous nature of ice. A place perhaps even laughable to some. A place, in many ways, uneventful and dull yet fringed with mirth. Where a smile lurks, waiting in the shadows and laughter lines the avenues of mispronounced words and foreign languages. It is the kind of place that emerges in safety. The safety lodged in routine, in familiarity and the daily-ness of the day. Such places exist, seldom. Pass quickly. Are mourned and missed, and seldom return. Like innocence. Like first love. Like the first sighting of something never seen before: a murmuration; a glacier, an aurora borealis. And in the backyard, the night flowering cactus in bloom. Brief lives. Here in the old country, marked by dogs and long walks; frost on the breath; the incoming sea fret; blackberries ripe for the picking; and the generosity of an avocado tree. One season gives way to another. And another. Until we find ourselves elsewhere, remembering.

  • Shipping
    • Shipping to  

      Artwork will be rolled in acid-free tissue paper and shipped in a sturdy mailing tube.

      Packaging and shipping to door: R316.70

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  • Delivery
    • StateoftheART facilitates shipping of artwork on behalf of the buyer. We use trusted and reliable courier delivery services and use road transportation to ensure that your artwork arrives safely. Shipping costs are calculated from the artist's studio in South Africa to your chosen address. Average delivery time once payment has cleared our account within South Africa is 10 - 14 working days. For international delivery 14 – 21 working days. Dispatch times may vary according to availability and any guarantees or representations made as to delivery times may be subject to delays as a result of postal or courier delays, or force majeure, for which we will not be responsible.
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